items[0] = {
id: 85,
flag: 'play',
favorite: 'no',
client: '3ST',
title: '(S)hell',
newish: 0,
onscreen: 0,
rpos: '',
img: ['hell.jpg'],
widths: [602],
heights: [400],
desc: 'Do I need to say anything really? zoom into the <a href=\"http://3st.com/2005/pop/11_Mea_Culpa.pdf\">pdf</a> for a true confession.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[1] = {
id: 94,
flag: 'play',
favorite: 'no',
client: '3ST',
title: '**** #1: WANT',
newish: 0,
onscreen: 0,
rpos: '',
img: ['want1.jpg'],
widths: [467],
heights: [350],
desc: 'Self published delicious eye candy that winks while it sticks its tongue out at the consumption and propogation of our well-designed disposable culture.<br><a href=\"#\" onclick=\"dopopup(\'http://3st.com/archive/four/want.html\',450,500);\">view WANT</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/WMV/LQV/PK/C</span>'
}
    
items[2] = {
id: 95,
flag: 'play',
favorite: 'no',
client: '3ST',
title: '**** #2: FINK',
newish: 0,
onscreen: 0,
rpos: '',
img: ['fink.jpg'],
widths: [320],
heights: [450],
desc: 'More self published warm and fuzzy fluff that calls it like I see it &mdash; phucked up!<a href=\"#\" onclick=\"dopopup(\'http://3st.com/archive/four/fink.html\',450,500);\">view FINK</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/WMV/PK/C</span>'
}
    
items[3] = {
id: 96,
flag: 'play',
favorite: 'no',
client: '3ST',
title: '**** #3: MYTH',
newish: 0,
onscreen: 0,
rpos: '',
img: ['myth_1.jpg'],
widths: [254],
heights: [350],
desc: 'Even more self published literature that sounds like we\'re kidding, but grabs you by the throat as it chokes you up with archetypes and stereotypes.<br><a href=\"#\" onclick=\"dopopup(\'http://3st.com/archive/four/myth.html\',450,500);\">view MYTH</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/RW/CJ/C</span>'
}
    
items[4] = {
id: 97,
flag: 'play',
favorite: 'no',
client: '3ST',
title: '**** #4: LOST',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lost_1.jpg', 'lost_2.jpg', 'lost_3.jpg', 'lost_4.jpg'],
widths: [274, 252, 273, 273],
heights: [350, 350, 350, 350],
desc: 'There\'s a story behind this final installment of four-letter words.  Read all about it. <a href=\"#\" onclick=\"dopopup(\'http://3st.com/archive/four/lost.html\',450,500);\">view LOST</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/RW/TJJ/C</span>'
}
    
items[5] = {
id: 77,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'AliceWorld (Just My Type)',
newish: 0,
onscreen: 0,
rpos: '',
img: ['aliceworld_001.jpg', 'aliceworld_002.jpg', 'aliceworld_003.jpg'],
widths: [450, 450, 450],
heights: [308, 309, 309],
desc: 'Alice Word &mdash; or the body as type. Controversial throughout it\'s existence, this video creation by myself and Greg Brokaw aimed to redefine what typographic forms are limited to. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/GB</span>'
}
    
items[6] = {
id: 100,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'All About the Money',
newish: 0,
onscreen: 0,
rpos: '',
img: ['money.jpg'],
widths: [507],
heights: [350],
desc: 'Started as an illustration for ESPN, this piece found a new home as a display piece for our favorite printer\'s skill set. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/MD</span>'
}
    
items[7] = {
id: 78,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Being John Lennon',
newish: 0,
onscreen: 0,
rpos: '',
img: ['beingjohnlennon.jpg'],
widths: [392],
heights: [490],
desc: 'Not everything happens in the right order. Experimenting with illustrator\'s new distortion tools gave way to a book cover design reminiscent of Avedon\'s portrait of Lennon and a caricature of Audrey Hepburn, which together, might give way to a novel.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[8] = {
id: 81,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Bush II',
newish: 0,
onscreen: 0,
rpos: '',
img: ['bush.jpg'],
widths: [170],
heights: [250],
desc: 'We all know that no one in the White House can be held accountable for the Iragi prison abuses, but just for the hell of it, wouldn\'t that image of the detaninee with panties over his head make the perfect anti-Bush statement. (double entendres are the bomb)  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[9] = {
id: 109,
flag: 'print',
favorite: 'no',
client: '3ST',
title: 'Chainsaw',
newish: 0,
onscreen: 0,
rpos: '',
img: ['chainsaw.jpg'],
widths: [428],
heights: [350],
desc: 'AGFA invited artists and designers to express the language and alphabet for their publication <i>26</i>. <i>Chainsaw through the Dictionary</i> reacted violently to the frenzy surrounding music censorship and begged the question; What words will be left to use?  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/CP</span>'
}
    
items[10] = {
id: 142,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Commutin\' & Pollutin\'',
newish: 0,
onscreen: 0,
rpos: '',
img: ['commutin.jpg'],
widths: [410],
heights: [600],
desc: 'ANOTHER long wait on the Kennedy is documented via cellphone camera (an image every 2 minutes overlaid on top of one another). The title comes in between my constant wheezing. &nbsp;<span class="credit"></span>'
}
    
items[11] = {
id: 84,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Earlier Today',
newish: 0,
onscreen: 0,
rpos: '',
img: ['earlier_1.jpg', 'earlier_2.jpg', 'earlier_3.jpg', 'earlier_4.jpg', 'earlier_5.jpg'],
widths: [712, 712, 712, 712, 712],
heights: [450, 450, 450, 450, 450],
desc: 'Yes, like David Carson I own an island. Mine is small and way northeast in Canada however. The morning light stirs my very being, and as a result I try so hard to capture the moments on film.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[12] = {
id: 164,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Foxy Ladies',
newish: 0,
onscreen: 0,
rpos: '',
img: ['foxy1.jpg', 'foxy2.jpg', 'foxy3.jpg', 'foxy4.jpg'],
widths: [1200, 1200, 1200, 1200],
heights: [1200, 1200, 1200, 1200],
desc: 'My Media Mistresses - An extreme make over for the high definition revolution. 72DPI PR head shots of 12 Fox newscasters were sent to India (only US$1800!) with the instruction to enlarge them to 350 dpi, give them an extreme makeover, a horrific backdrop, and a gilded wire management frame.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[13] = {
id: 107,
flag: 'print',
favorite: 'no',
client: '3ST',
title: 'Gina \'s Letterpress Top 5',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gina_1.jpg', 'gina_2.jpg', 'gina_3.jpg', 'gina_4.jpg', 'gina_5.jpg'],
widths: [296, 308, 375, 338, 311],
heights: [500, 500, 500, 500, 500],
desc: 'The Society of Typographic arts sponsored a three-day letterpress workshop with Dennis Ichiyama at the Hamilton Woodtype Museum in Wisconsin. Gina returned with a fabulous mini portfolio and a desire to return ASAP. Go Gina go!  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[14] = {
id: 103,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Handsome',
newish: 0,
onscreen: 0,
rpos: '',
img: ['handsome_art.jpg', 'handsome_form.jpg'],
widths: [642, 596],
heights: [359, 390],
desc: 'Pushing the limits of the human hand, this typeface grabs (bad pun Rick) the audience\'s attention through these finely crafted wireframes.<br>download <a href=\"http://3st.com/downloads/handsome.sit\">for mac</a> | <a href=\"http://3st.com/downloads/handsome.zip\">for windows</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/BMM/OR</span>'
}
    
items[15] = {
id: 88,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'I Gave at the Office',
newish: 0,
onscreen: 0,
rpos: '',
img: ['igave.jpg'],
widths: [300],
heights: [450],
desc: 'This commemorative poster served many masters. For me it said it all. For Chad Johnston: his illustration got big, and for Gilbert Paper: they printed a new gallery-quality paper for the first time.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C/CJ</span>'
}
    
items[16] = {
id: 90,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Innocence L(o/u)st',
newish: 0,
onscreen: 0,
rpos: '',
img: ['innocence.jpg'],
widths: [300],
heights: [450],
desc: 'Somedaze I feel like a lost soul. Somedaze graphic design\'s Photoshop and In Design are the perfect means of self-expression. Somedaze printers are nice enough to print your emotions.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C</span>'
}
    
items[17] = {
id: 91,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'InSeries II Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['inseries.jpg'],
widths: [433],
heights: [650],
desc: 'Our frequent collaborator and friend Matt Daly wrote some code that allowed him to render a 3D cityscape in any perimeter. For one of our Motorola Annual Report cover concepts, I requested the emerald city of the 21st century. Sadly, Moto rejected this good idea, which found a place over the rainbow as a commemorative lecture poster.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a>/MD/MB</span>'
}
    
items[18] = {
id: 159,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Intelligent Design',
newish: 0,
onscreen: 0,
rpos: '',
img: ['intel1.jpg', 'intel2.jpg', 'intel3.jpg', 'intel4.jpg'],
widths: [1650, 1650, 1650, 1650],
heights: [1275, 1275, 1275, 1275],
desc: 'Intelligent Design, Creating and Evolved Red vs. Blue State of Mind is a 16 x 20\" self-published, 24-page rendition of the Book of Genesis. The text was rendered in binary using Pepsi One cans and Coke Zero cans. Over 1600 links per page using custom code; Intelligence Design indeed. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[19] = {
id: 89,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Is it just Me',
newish: 0,
onscreen: 0,
rpos: '',
img: ['iijm_1.jpg', 'iijm_2.jpg', 'iijm_3.jpg', 'iijm_4.jpg', 'iijm_5.jpg'],
widths: [252, 504, 504, 504, 504],
heights: [350, 350, 350, 350, 350],
desc: 'Have you ever noticed how many people you look like? If so, have you then wondered if those look-a-likes like what you like? I did, and set out to get to the depths of my own identity. An illustrated ad in the Chicago Reader attracted the research subjects. Money helped too. <a href=\"http://3st.com/downloads/isitjustme_dl.pdf\">download PDF</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/TJJ</span>'
}
    
items[20] = {
id: 101,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'J\'LO',
newish: 0,
onscreen: 0,
rpos: '',
img: ['jlo_love.jpg', 'jlo_instant_gratification.jpg', 'jlo_samp1.jpg', 'jlo_samp2.jpg'],
widths: [400, 400, 400, 400],
heights: [450, 384, 450, 450],
desc: 'Before the days of Jenny from the Block and Bennifer, J\'LO created a shaky basis for some mold-based typography. <br>download <a href=\"http://3st.com/downloads/jlo.sit\">for mac</a> | <a href=\"http://3st.com/downloads/jlo.zip\">for windows</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[21] = {
id: 93,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Kavesom',
newish: 0,
onscreen: 0,
rpos: '',
img: ['kavesom_1.jpg', 'kavesom_2.jpg', 'kavesom_3.jpg', 'kavesom_4.jpg', 'kavesom_5.jpg'],
widths: [252, 504, 504, 504, 504],
heights: [350, 350, 350, 350, 350],
desc: 'What started as a phone call to purchase a typeface ended up as a complete design (with custom photography!) for Biomega\'s Jens Martin\'s collection of poetry. Best $199 he ever spent? We \'d like to think so.<br><a href=\"http://3st.com/downloads/kavesom_dl.pdf\">download PDF</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/TJJ</span>'
}
    
items[22] = {
id: 98,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Lessons',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lessons_1.jpg', 'lessons_2.jpg', 'lessons_3.jpg', 'lessons_4.jpg', 'lessons_5.jpg'],
widths: [694, 694, 694, 694, 694],
heights: [450, 450, 450, 450, 450],
desc: 'After a career of 25 plus years, I think I know something about something. These 10 lessons are for the young designer/student who believes that it is personal not (just) business.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/3ST</span>'
}
    
items[23] = {
id: 117,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Maine Collages',
newish: 0,
onscreen: 0,
rpos: '',
img: ['mainec1.jpg', 'mainec2.jpg', 'mainec3.jpg', 'mainec4.jpg', 'mainec5.jpg'],
widths: [356, 356, 356, 356, 356],
heights: [550, 550, 550, 550, 550],
desc: 'Inspired by Mr. Douglas Scott\'s lecture and catalyzed by Nancy Skolos request for play, I cut and pasted while gossiping with Peter Hall who was doing the same right next to me. Post-glue sticking, each collage was scanned. I afforded myself no more than 30 minutes a piece to add a digital layer.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[24] = {
id: 119,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Maine Truth',
newish: 0,
onscreen: 0,
rpos: '',
img: ['mainet1.jpg', 'mainet2.jpg', 'mainet3.jpg', 'mainet4.jpg'],
widths: [318, 318, 318, 318],
heights: [450, 450, 450, 450],
desc: 'Truthfully, the streets of Portland have an honest to goodness unique litter. This real piece of wood and actual pull top was grist for my quest.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[25] = {
id: 131,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Monstrous Relationships',
newish: 0,
onscreen: 0,
rpos: '',
img: ['mr1.png', 'mr2.png'],
widths: [526, 526],
heights: [814, 813],
desc: 'Wanted posters for our consumer culture\'s most-wanted person-to-persons. They WILL be armed and dangerous. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[26] = {
id: 166,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Posters',
newish: 0,
onscreen: 0,
rpos: '',
img: ['rv_columbus_Front.jpg', 'rv_columbus_Back.jpg', 'rickside_poster.jpg', 'rv_alabama_Front.jpg', 'weareondeathrow.jpg'],
widths: [1600, 1600, 1600, 1600, 1584],
heights: [2400, 2400, 2451, 2400, 2448],
desc: 'When Rick speaks, he speaks from the heart, and the posters he makes for his speaking engagements also do a lot of talking from there. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[27] = {
id: 105,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Rickney',
newish: 0,
onscreen: 0,
rpos: '',
img: ['britney.jpg'],
widths: [540],
heights: [350],
desc: 'Rick luvs Britney. \'Nuff said?  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[28] = {
id: 104,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'RickValicenti.COM',
newish: 0,
onscreen: 0,
rpos: '',
img: ['rv_playg_01.jpg'],
widths: [543],
heights: [400],
desc: 'If you want a glimpse behind my professional curtain this is the place to visit. Be forewarned, your perception of me will be manipulated. <br><br><a href=\"http://www.rickvalicenti.com/\" target=\"_new\">visit rickvalicenti.com</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[29] = {
id: 148,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Roberts',
newish: 0,
onscreen: 0,
rpos: '',
img: ['roberts1.jpg', 'roberts2.jpg'],
widths: [996, 1650],
heights: [1275, 1275],
desc: 'Justice John Roberts\' supreme court could reinstall coat hangers as a D.I.Y. surgical device before long. While the decision is his, the choice might best be placed in the heart and soul of the woman who\'s life is at risk. This edition, <a href=\"http://www.movingdesign.com/\">limited to 24</a>, reflects this moment in time. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[30] = {
id: 99,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'Suburban Maul',
newish: 0,
onscreen: 0,
rpos: '',
img: ['maul_1.jpg', 'maul_2.jpg', 'maul_3.jpg', 'maul_4.jpg', 'maul_5.jpg'],
widths: [266, 504, 504, 504, 504],
heights: [350, 350, 350, 350, 350],
desc: 'What happens when the Maul comes to Suburbia? <br><a href=\"http://3st.com/downloads/submaul_dl.pdf\">Experience it with this Li\'l Book we self-published</a>.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/TJJ/TJB</span>'
}
    
items[31] = {
id: 82,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'T-Shirts',
newish: 0,
onscreen: 0,
rpos: '',
img: ['complicit_1.jpg', 'complicit_2.jpg', 'shirt_assuv.jpg', 'shirt_joy.jpg', 'shirt_play.jpg'],
widths: [386, 386, 406, 406, 406],
heights: [350, 350, 370, 370, 370],
desc: 'Lately I\'ve been discovering how important it is to express my feelings openly and honestly. Do you think T-shirts are a good means of telling it like it is? <a href=\"http://www.movingdesign.com/categories/apparel/\">Buy a shirt now!</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[32] = {
id: 132,
flag: 'play',
favorite: 'no',
client: '3ST',
title: 'UN Lucky',
newish: 0,
onscreen: 0,
rpos: '',
img: ['UNlucky1.jpg', 'UNlucky2.jpg', 'UNlucky3.jpg'],
widths: [309, 310, 309],
heights: [400, 400, 400],
desc: 'A triptych sent to Plazsm magazine on what is *lucky* and how true *luck* is in the beholder. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[33] = {
id: 79,
flag: 'play',
favorite: 'no',
client: '3ST/AIGA',
title: 'BRAND!',
newish: 0,
onscreen: 0,
rpos: '',
img: ['brand.jpg'],
widths: [341],
heights: [450],
desc: 'Dutch designer/typographer Max Kisman, an expatriate currently living in the bay area, invited me to create a dutch-like design statement. Together with my fave collaborator Rob Irrgang, a Dutch ex-pat himself, we burned Nike branded wooden shoes. In Dutch, brand translates to fire.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[34] = {
id: 76,
flag: 'play',
favorite: 'no',
client: '3ST/AIGA',
title: 'Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['aigamw.jpg'],
widths: [288],
heights: [450],
desc: 'Showcasing a new typeface by Thirst\'s Gina Vieceli, this AIGA announcement poster rocked Milwaukee with some Rick/CJ Veejay energy. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[35] = {
id: 83,
flag: 'play',
favorite: 'no',
client: '3ST/Emigre',
title: 'Cranky',
newish: 0,
onscreen: 0,
rpos: '',
img: ['cranky_1.jpg', 'cranky_2.jpg', 'cranky_3.jpg', 'cranky_4.jpg', 'cranky_5.jpg'],
widths: [525, 525, 525, 525, 525],
heights: [350, 350, 350, 350, 350],
desc: 'Rudy Vanderlans invited me to comment on the current state of design in his infamous Rant issue of Emigre magazine (#64). Unlike the other contributors, I actually submitted an unedited rant. Gina Vieceli\'s friends served as Vanna White sistas for this shoot.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[36] = {
id: 87,
flag: 'play',
favorite: 'no',
client: '3ST/GUM Magazine',
title: 'Mr Rogers',
newish: 0,
onscreen: 0,
rpos: '',
img: ['flag.gif', 'rodgers2.jpg', 'rodgers3.jpg', 'rodgers4.jpg', 'rodgers5.jpg'],
widths: [451, 1654, 640, 640, 640],
heights: [300, 2329, 200, 200, 449],
desc: 'Colin Metcalf, Chicago designer and cofounder of GUM Magazine, invited me to create something in acknowledgment of Mr. Rogers. It was hard not to politicize this New York gallery opening. The 6\' long flag oscillated under a lenticular plastic.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[37] = {
id: 20,
flag: 'identity',
favorite: 'no',
client: '3ST/TANK20',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['tank20_logo_blue.jpg', 'tank20_logo_pink.jpg'],
widths: [454, 454],
heights: [230, 230],
desc: 'Tank20 is the literary playground and strategic workroom for Rob Wittig, a frequent and trusted collaborator inside the Thirst Universe.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C</span>'
}
    
items[38] = {
id: 1,
flag: 'identity',
favorite: 'no',
client: '4240 Architecture',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['4240_logo.jpg', '4240_concept.jpg', '4240webproc_1.jpg', '4240webproc_2.jpg', '4240webproc_3.jpg'],
widths: [350, 350, 436, 436, 436],
heights: [450, 450, 264, 264, 264],
desc: 'With Chicago on the 42nd and Denver on the 40th parallel, these architects had the opportunity to be graphic designers. We designed a process that allowed their responses to our brief to be <a href=\"http://www.3st.com/clients/show4240/\" target=\"_new\">reviewed online</a> and voted on. We refined the winning concept. This feels like a mini-breakthrough to me. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[39] = {
id: 128,
flag: 'print',
favorite: 'no',
client: 'Animate',
title: 'Brochure',
newish: 0,
onscreen: 0,
rpos: '',
img: ['aniNew_1.jpg', 'aniNew_2.jpg', 'aniNew_3.jpg', 'aniNew_4.jpg', 'ani3.jpg', 'aniNew_5.jpg'],
widths: [504, 1008, 1008, 1008, 1600, 617],
heights: [817, 817, 817, 817, 1297, 500],
desc: 'The story of an extremely creative, cutting-edge architect, told with a warm touch to reflect his personality, and a modern sensibility to reflect his work. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[40] = {
id: 41,
flag: 'print',
favorite: 'no',
client: 'Arch.IIT',
title: 'Poster series 2001',
newish: 0,
onscreen: 0,
rpos: '',
img: ['iit_2001_1.jpg', 'iit_2001_2.jpg'],
widths: [338, 338],
heights: [450, 450],
desc: 'Dean Donna Robertson, upon taking a position once held by Mies at IIT, wanted a series of lecture posters that could serve three masters: attract an audience, win a national design award and increase the student population. Donna\'s contract was recently renewed.   &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C</span>'
}
    
items[41] = {
id: 42,
flag: 'print',
favorite: 'no',
client: 'Arch.IIT',
title: 'Poster series 2003',
newish: 0,
onscreen: 0,
rpos: '',
img: ['iit_2003_1.jpg', 'iit_2003_2.jpg'],
widths: [338, 338],
heights: [450, 450],
desc: 'After several years of successful poster designs, Dean Donna Robertson began receiving negative feedback from her speakers, who noted that their names were too small. Less was no longer more.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C</span>'
}
    
items[42] = {
id: 43,
flag: 'print',
favorite: 'no',
client: 'Arch.IIT',
title: 'Poster series 2004',
newish: 0,
onscreen: 0,
rpos: '',
img: ['archiit2004_1.jpg', 'archiit2004_2.jpg'],
widths: [338, 338],
heights: [450, 450],
desc: 'Give them what they want is what I always say. If your client wants big type (see 2003) &mdash; big type it be. If the speakers want their work on the poster &mdash; figure out how to do it.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[43] = {
id: 143,
flag: 'print',
favorite: 'no',
client: 'Arch.IIT',
title: 'Poster series Spring 2006',
newish: 0,
onscreen: 0,
rpos: '',
img: ['iitSp2006_0.png', 'iitSp2006_1.png'],
widths: [900, 900],
heights: [1200, 1200],
desc: 'IIT builds the lecture series for their 50th anniversary around Mies\' principals of minimalism. The poster design follows right in step, emphasizing the square as the primary structural element. Here\'s to 50 more.   &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[44] = {
id: 24,
flag: 'print',
favorite: 'no',
client: 'Biomega',
title: 'Announcement',
newish: 0,
onscreen: 0,
rpos: '',
img: ['biomega.jpg'],
widths: [324],
heights: [500],
desc: 'Someday soon Jens Martin Skibsted will bring his collection of beautifully designed bikes stateside. On invitation, we planned the first guerilla poster announcing the showroom opening&hellip; wherever and whenever that may be.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[45] = {
id: 120,
flag: 'interactive',
favorite: 'no',
client: 'Chicago Architectural Club',
title: 'Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['cac_01.jpg', 'cac_02.jpg', 'cac_03.jpg'],
widths: [693, 693, 693],
heights: [432, 432, 432],
desc: 'Give them a voice and they will respond. The CAC received a forum to extend their discussions beyond monthly meetings, all the while framing content with dynamic imagery featuring our fair city.   &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[46] = {
id: 147,
flag: 'print',
favorite: 'no',
client: 'College for Creative Studies',
title: 'Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['ccsposter1.jpg', 'ccsposter2.jpg'],
widths: [1600, 1600],
heights: [2400, 2400],
desc: 'This poster expresses the same concepts as the viewbook: combining student work visually to form a collage of college culture. The back shows a portfolio of work from all the departments. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/JM</span>'
}
    
items[47] = {
id: 129,
flag: 'print',
favorite: 'no',
client: 'College for Creative Studies',
title: 'Viewbook',
newish: 0,
onscreen: 0,
rpos: '',
img: ['ccsvb1.jpg', 'ccsvb2.jpg', 'ccsvb3.jpg', 'ccsvb5.jpg', 'ccsvb7.jpg', 'ccsvb9.jpg', 'ccsvb12.jpg', 'ccsvb13.jpg', 'ccsvb16.jpg', 'ccsvb17.jpg', 'ccsvb1_2.jpg'],
widths: [1600, 1600, 1600, 1600, 1600, 1600, 1600, 1600, 1600, 1600, 821],
heights: [2240, 1120, 1120, 1120, 1120, 1120, 1120, 1120, 1120, 1120, 1200],
desc: 'A book created for one of the country\'s leading visual arts schools where every image, word, or photo was the voice or imagination of the students, faculty, administration or alumni. Real human presence led by those involved; curated by Thirst. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/WF/JM</span>'
}
    
items[48] = {
id: 158,
flag: 'interactive',
favorite: 'no',
client: 'College for Creative Studies',
title: 'Website 2005',
newish: 0,
onscreen: 0,
rpos: '',
img: ['ccsweb1.jpg', 'ccsweb3.jpg', 'ccsweb4.jpg', 'ccsweb5.jpg', 'ccsweb6.jpg'],
widths: [986, 986, 986, 986, 986],
heights: [673, 673, 673, 673, 673],
desc: 'Continuing our efforts to put the CCS students in the spotlight, the new CCS website features a lean but information packed navigation with emphasis on student designed work. No-one knows how to look young and cool like those that are. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[49] = {
id: 168,
flag: 'print',
favorite: 'no',
client: 'Dragon Motor Sports',
title: 'Brochure',
newish: 0,
onscreen: 0,
rpos: '',
img: ['DragonBrochure1.jpg', 'DragonBrochure4.jpg', 'DragonBrochure7.jpg'],
widths: [1600, 1600, 1600],
heights: [1600, 800, 800],
desc: 'The glossy-ass catalog introducing the US to a new breed of ATV\'s with  a bad ass attitude; Dragon Motor Sports. We consciously and conceptually appropriated all text from the video  game reviews in Maxim magazine. All extreme expressions of culture emerge from Maxim&hellip;don\'t they? &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[50] = {
id: 28,
flag: 'print',
favorite: 'no',
client: 'Dragon Motor Sports',
title: 'Merchandise',
newish: 0,
onscreen: 0,
rpos: '',
img: ['dragonmerch_3.jpg', 'dragonmerch_4.jpg', 'dragonmerch_5.jpg'],
widths: [451, 451, 397],
heights: [545, 439, 445],
desc: 'Why wear NASCAR if you can wear Dragon? Team \"V\" explores the cutting edge of sporty merchandise&hellip;no body part is safe. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a>/CJ</span>'
}
    
items[51] = {
id: 27,
flag: 'print',
favorite: 'no',
client: 'Dragon Motor Sports',
title: 'Poster Series',
newish: 0,
onscreen: 0,
rpos: '',
img: ['dragon_poster_3.jpg', 'dragon_poster_4.jpg'],
widths: [367, 367],
heights: [550, 550],
desc: 'A portable, low-budget tradeshow display for the ATV sales force who needed something easy to hang along side their traveling Dragon-Wagon. see the <a href=\"#\" onclick=\"showitem(3\'cid\'); return false;\">identity components</a> and the upcoming merchandise collection.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a>/CJ</span>'
}
    
items[52] = {
id: 29,
flag: 'print',
favorite: 'no',
client: 'Fireorb',
title: 'Brochure',
newish: 0,
onscreen: 0,
rpos: '',
img: ['fireorb_brochure_1.jpg', 'fireorb_brochure_2.jpg', 'fireorb_brochure_3.jpg', 'fireorb_brochure_4.jpg'],
widths: [319, 627, 627, 627],
heights: [450, 450, 450, 450],
desc: 'Got wood? Got a bed? Got a lover?<br>Got an 8-page product introduction brochure.<br>Burn-baby-burn!  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C/V/WMV/RE</span>'
}
    
items[53] = {
id: 8,
flag: 'identity',
favorite: 'no',
client: 'Fireorb',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['fireorb_logo.jpg', 'fireorb_stencil.jpg', 'fireorb_postcard.jpg'],
widths: [564, 597, 461],
heights: [129, 210, 250],
desc: 'Cool Warmth is hell-bent on igniting the contemporary hearth with Fireorb, designed by Doug Garofalo to red-hot reviews. Fireorb\'s identity simmers over a custom alphabet, a flashy mod web site and a sexually charged 8-page brochure. <a href=\"http://www.realeyes1.com\" target=\"_new\">RE</a></span> &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C/LQV/WMV/RE</span>'
}
    
items[54] = {
id: 30,
flag: 'print',
favorite: 'no',
client: 'Fireorb',
title: 'Postcards',
newish: 0,
onscreen: 0,
rpos: '',
img: ['forbcard.jpg'],
widths: [526],
heights: [300],
desc: 'Just. Plain. Hot. That\'s the image we set out to showcase. And it\'s true!  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C/V/WMV/RE</span>'
}
    
items[55] = {
id: 62,
flag: 'interactive',
favorite: 'no',
client: 'Fireorb',
title: 'Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['fireorb_web_1.jpg', 'fireorb_web_2.jpg', 'fireorb_web_3.jpg', 'fireorb_web_4.jpg', 'fireorb_web_5.jpg'],
widths: [402, 402, 402, 402, 402],
heights: [314, 314, 314, 314, 314],
desc: 'A virtual Hot Flash. visit <a href=\"http://www.fireorb.net/\" target=\"_new\">fireorb.net</a> and check out the blistering x-rated introductory brochure.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/OR/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[56] = {
id: 9,
flag: 'identity',
favorite: 'no',
client: 'FoamForm',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['ff1.jpg', 'ff2.jpg', 'ff3.jpg'],
widths: [365, 350, 300],
heights: [440, 200, 600],
desc: 'Amazingly white styrofoam is the 21st century\'s architectural limestone. Co-owned by the founder of Cool Warmth (Fireorb mfgr) Foam Foam was created to make any form out of foam. Both words share the same letters except the A and R the initials of partners; Andy and Robert. timeless. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[57] = {
id: 122,
flag: 'print',
favorite: 'no',
client: 'Fox River Paper',
title: 'Starwhite 1980-2005',
newish: 0,
onscreen: 0,
rpos: '',
img: ['strwhite_04.jpg', 'strwhite_03.jpg', 'strwhite_01.jpg', 'strwhite_02.jpg', 'strwhite_05.jpg'],
widths: [661, 661, 661, 661, 661],
heights: [432, 432, 432, 432, 432],
desc: '25 years have passed since Starwhite was introduced in 1980. FlashBack commemorates the beginning of the \"me\" decade by highlighting the premium uncoated grade\'s great performance.    &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[58] = {
id: 165,
flag: 'print',
favorite: 'no',
client: 'Fox River Paper / Gilbert Paper',
title: 'Fast Easy Now ads',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gilbertfast.jpg'],
widths: [944],
heights: [1200],
desc: 'come on...who sez graphic designers can\'t do advertising? duh! &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[59] = {
id: 171,
flag: 'print',
favorite: 'no',
client: 'Fox River Paper / Gilbert Paper',
title: 'Torn ads',
newish: 0,
onscreen: 0,
rpos: '',
img: ['FoxRiver_TPAd_STEP_10.jpg', 'Gilbert_TornPaperAd_7.jpg'],
widths: [957, 957],
heights: [1200, 1200],
desc: 'Every color from every grade makes for a dramatic backdrop for the new identity presence. A single sheet torn by our own hands reveals real paper fibers. The results are unavailable with any of the many Adobe&reg; filters. Being all about the \'cutting\' edge is Thirst... right!? &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[60] = {
id: 160,
flag: 'interactive',
favorite: 'no',
client: 'Fox River Paper / Gilbert Paper',
title: 'Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['foxgilweb1.jpg', 'foxgilweb3.jpg', 'foxgilweb4.jpg'],
widths: [875, 875, 875],
heights: [591, 591, 591],
desc: 'And for our next trick, we\'ll re-envision e-commerce. Tired of all the redundancy and waiting in shopping cart land, we cooked up a new way to shop for paper, using this as an opportunity to bring sister brands Fox and Gilbert closer together. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[61] = {
id: 31,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Ad campaigns',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gilbert_voice.jpg', 'gilbert_voice2.jpg', 'gilbert_ad_think.jpg'],
widths: [329, 329, 739],
heights: [450, 450, 450],
desc: 'Cut and Paste takes make a dramatically innocent yet completely knowing comeback in these double-page advertising campaigns for Gilbert Paper.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a>/3ST</span>'
}
    
items[62] = {
id: 110,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Andy Arrow',
newish: 0,
onscreen: 0,
rpos: '',
img: ['andyarrow1.jpg', 'andyarrow2.jpg'],
widths: [445, 445],
heights: [450, 450],
desc: 'In order to fund her HP braille printer Kathleen Krause sold her musical instruments. She then made one-offs of Andy Arrow\'s <i>Alphabet Book</i> for her seeing-impaired students. With the help of a generous contribution by Gilbert Paper, 1500 copies were sent to libraries and schools nationwide.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/IK</span>'
}
    
items[63] = {
id: 111,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Don\'t Talk to Strangers',
newish: 0,
onscreen: 0,
rpos: '',
img: ['donttalk.jpg'],
widths: [371],
heights: [550],
desc: 'Having been criticized for promoting illegibility, this 24 x 36\" poster was created in collaboration with Chicago photographer Kazu. Those who attended my San Francisco lecture received this commemorative keepsake.<br><i>I wonder how many kept it?</i>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/KO</span>'
}
    
items[64] = {
id: 172,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Esse NYC Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['EssePoster_24x36.jpg'],
widths: [795],
heights: [1200],
desc: 'Promoting the presence of Beatrice Santiciolli in the Morgan Hotel Penthouse. 2B there or not&hellip; &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[65] = {
id: 113,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Expert Opinions',
newish: 0,
onscreen: 0,
rpos: '',
img: ['expert1.jpg', 'expert4.jpg', 'expert3.jpg', 'expert2.jpg'],
widths: [450, 649, 677, 644],
heights: [200, 450, 450, 450],
desc: 'We challenge every Gilbert promotion to become a publishing opportunity. The Expert Opinions Series curates the wisdom of America\'s best designers. Conversations held in custom-coded chat environments informed the typographic layouts.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/RW/C</span>'
}
    
items[66] = {
id: 114,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Free Money/Free Lunch',
newish: 0,
onscreen: 0,
rpos: '',
img: ['freemoney.jpg', 'freelunch.jpg'],
widths: [473, 535],
heights: [350, 350],
desc: 'Tired of stupid direct mail? Tired of offerings promising the world but taking it back somewhere in the small type? Well me too.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/GB</span>'
}
    
items[67] = {
id: 64,
flag: 'interactive',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Gilbert Delivers Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gilbert_delivers_1.jpg', 'gilbert_delivers_2.jpg', 'gilbert_delivers_3.jpg'],
widths: [558, 558, 734],
heights: [393, 393, 250],
desc: 'Before some unenlightened mid-manager decided to leave their mark on the world, small orders of Gilbert Paper were specified from a singular interface that housed 1000 SKU\'s in a simple fashion. Sadly benchmarks come and go.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/OR/RH/DB</span>'
}
    
items[68] = {
id: 11,
flag: 'identity',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gilbert_clip.jpg', 'gilbert_begreat.jpg', 'gilbert_id_ream.jpg'],
widths: [248, 335, 506],
heights: [250, 171, 450],
desc: 'Have you ever noticed what letter is formed by a paper clip holding paper? answer: a G, and that says Gilbert (Paper)<br>Nike\'s swoosh gots nothin\' on this logo \'cept some serious time and presence in the market. (yeah right&hellip;nice try Rick) &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[69] = {
id: 35,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Oxford: The Holly Hunt Collection',
newish: 0,
onscreen: 0,
rpos: '',
img: ['oxford_1.jpg', 'oxford_2.jpg', 'oxford_3.jpg', 'oxford_4.jpg'],
widths: [459, 818, 818, 818],
heights: [300, 300, 300, 300],
desc: '17 printers and engravers participated in this stunning paper collection introducing the Oxford color collection by Holly Hunt, renowned interior impressario. This design needed to serve both clients in their respective markets. Blending brands&hellip;easier than it looked. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/EP/RW/YYJ</span>'
}
    
items[70] = {
id: 32,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Print Performance Art',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gilbert_talk.jpg', 'identity.jpg', 'recycle.jpg', 'surface.jpg', 'iheartart.jpg'],
widths: [436, 435, 346, 496, 541],
heights: [550, 450, 450, 350, 450],
desc: 'Is this design or illustration? Now, it would be easy to go shopping for reproducable imagery on any of the many stock photography sites. How much value is that to anyone creative? Not much. And so I encourage us to make what we print. Imager,y letter forms, even the content.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/3ST</span>'
}
    
items[71] = {
id: 34,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Realm Campaign',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gilbert_ss_1.jpg', 'gilbert_ss_2.jpg', 'gilbert_ss_3.jpg', 'gilbert_ss_4.jpg'],
widths: [338, 338, 338, 338],
heights: [450, 450, 450, 450],
desc: 'Pulitzer prize-winning photographer Eddie Adams married my first full time employee Alyssa Adams. Sadly, Eddie passed away in September \'04. In response to my invitation to capture the faces within his realm, Eddie photographed himself, his son and his neighbors for this publication.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C</span>'
}
    
items[72] = {
id: 33,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'Realm SuperSmooth Campaign',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gilbert_realm_2.jpg', 'gilbert_realm_3.jpg'],
widths: [613, 613],
heights: [450, 450],
desc: 'Uncoated paper is never slick. Finally, Gilbert had made the industry\'s first archival super smooth paper. It was a delight to create, direct and design a collection of challenging art for the first run through the press. Note: most of the art is in the form of two \'s\'s&hellip;super smooth.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/3ST/RE</span>'
}
    
items[73] = {
id: 112,
flag: 'print',
favorite: 'no',
client: 'Gilbert Paper',
title: 'The Esse Book',
newish: 0,
onscreen: 0,
rpos: '',
img: ['esse1.jpg', 'esse2.jpg', 'esse3.jpg', 'esse4.jpg', 'esse5.jpg'],
widths: [458, 788, 788, 788, 788],
heights: [550, 550, 550, 550, 550],
desc: '29 printers across the US were invited to participate in the printing of the first ESSE promotion. The Bronzo typeface was designed for the occasion by RV and Mouli Marur. This inventive project launched the Thirst reputation. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/3ST</span>'
}
    
items[74] = {
id: 10,
flag: 'identity',
favorite: 'no',
client: 'Graphic Arts Studio',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gas_1.jpg', 'gas_2.jpg', 'gas_3.jpg'],
widths: [456, 456, 456],
heights: [290, 290, 290],
desc: 'This design was so easy to do &mdash; the first sketch was the winner. Six dots on a grid represent our local boutique printer. If your graphic language skills are out of register, the single letter form stroke represents the paper being fed through the six-color (Heidelberg) press...Design 101! &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C</span>'
}
    
items[75] = {
id: 65,
flag: 'interactive',
favorite: 'no',
client: 'Herman Miller',
title: 'NeoCon Installation',
newish: 0,
onscreen: 0,
rpos: '',
img: ['hm_1.jpg', 'hm_screen2.jpg', 'hm_petro1.jpg', 'hm_petro2.jpg', 'hm_petro3.jpg'],
widths: [414, 408, 596, 632, 632],
heights: [550, 550, 320, 340, 340],
desc: 'In 1999, Herman Miller\'s NeoCon presence spoke of being alive. The showroom focus was a 50+ minute video Digital Petroglyph opening with a homage to the end of the Eames\' <i>Power of 10</i>. All movement and color sequencing was dictated by the captured dancers\' expressions.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/MD/VV</span>'
}
    
items[76] = {
id: 66,
flag: 'interactive',
favorite: 'no',
client: 'Herman Miller',
title: 'Showroom Installation',
newish: 0,
onscreen: 0,
rpos: '',
img: ['greenhouse2.jpg', 'greenhouse1.jpg', 'greenhouse3.jpg', 'greenhouse4.jpg', 'greenhouse5.jpg'],
widths: [536, 533, 533, 533, 400],
heights: [283, 400, 400, 400, 533],
desc: 'At Herman Miller\'s West Michigan Greenhouse reception area, visitors interact with a piece of floating steel. Eight hand-poured glass forms surround it, and when touched, activate the digital reflecting pool. The patterns respond in real time fluidly like water to the visitor\'s actions.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/MD/JM</span>'
}
    
items[77] = {
id: 36,
flag: 'print',
favorite: 'no',
client: 'Herman Miller',
title: 'Showroom Signage',
newish: 0,
onscreen: 0,
rpos: '',
img: ['hm_2.jpg', 'hm_ceiling.jpg', 'hm_diff.jpg', 'hm_4.jpg', 'hm_explore.jpg'],
widths: [879, 370, 308, 310, 520],
heights: [320, 450, 500, 450, 450],
desc: 'In collaboration with Joyce Mast, Thirst conceived a collection of simple messaging forms for the Chicago Showroom NeoCon experience. Some were very old-school, while others were only possible with a 3-axis C+C cutter.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/JM</span>'
}
    
items[78] = {
id: 37,
flag: 'print',
favorite: 'no',
client: 'Holly Hunt',
title: 'Advertising',
newish: 0,
onscreen: 0,
rpos: '',
img: ['hh_lighten_ad.jpg', 'hh_sueded_ad.jpg', 'hh_gp_ad.jpg'],
widths: [292, 391, 269],
heights: [350, 450, 350],
desc: 'In design there are only three kinds of messages designers are asked to communicate; messages about value, messages of value and messages of no value. Holly\'s Architectural Record advertisements obviously speak about value while striving to say something of value.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/3ST</span>'
}
    
items[79] = {
id: 138,
flag: 'print',
favorite: 'no',
client: 'Holly Hunt',
title: 'AT WORK',
newish: 0,
onscreen: 0,
rpos: '',
img: ['hhatwork1.jpg', 'hhatwork2.jpg'],
widths: [1430, 1458],
heights: [1857, 1904],
desc: 'A clean, detailed look was given to Holly\'s collection of fabrics and leathers contracted for business. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[80] = {
id: 170,
flag: 'print',
favorite: 'no',
client: 'Holly Hunt',
title: 'LA Showroom Signage',
newish: 0,
onscreen: 0,
rpos: '',
img: ['HH_LA_B.jpg'],
widths: [5000],
heights: [1200],
desc: 'Holly Hunt at LAst - Yes, Holly finally does Hollywood. Here\'s a glimpse at our collection of signage announcing Holly\'s arrival and her new showroom presence. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[81] = {
id: 40,
flag: 'print',
favorite: 'no',
client: 'Holly Hunt',
title: 'Neocon Invite 2003',
newish: 0,
onscreen: 0,
rpos: '',
img: ['hhinvite1.jpg', 'hhinvite2.jpg'],
widths: [409, 409],
heights: [450, 450],
desc: 'Holly Hot.<br>Laser cut flames shroud the perfect run-on headline for the annual Holly Hunt NeoCon Gala.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[82] = {
id: 38,
flag: 'print',
favorite: 'no',
client: 'Holly Hunt',
title: 'Studio H Brochure',
newish: 0,
onscreen: 0,
rpos: '',
img: ['studioh_1.jpg', 'studioh_2.jpg', 'studioh_3.jpg', 'studioh_4.jpg'],
widths: [295, 540, 540, 540],
heights: [400, 400, 400, 400],
desc: 'In Holly\'s world comfort need never be stuffed with anything unnecessary. Her 56-page Studio H collection pursues that philosophy with the hope of not coming across too snooty or sophomoric along the way.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[83] = {
id: 169,
flag: 'print',
favorite: 'no',
client: 'Holly Hunt',
title: 'Textile ads',
newish: 0,
onscreen: 0,
rpos: '',
img: ['HH_LeatherAds-2.jpg', 'HH_LeatherAds-4.jpg'],
widths: [927, 927],
heights: [1200, 1200],
desc: 'A collection of ads exploring the colors and details of Holly\'s textile and leathers. Mondriaan has expressed permission for our blatent reuse of form not  intent. In fact Rick channeled Piet\'s permission during the wee hours not long  ago. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[84] = {
id: 67,
flag: 'interactive',
favorite: 'no',
client: 'Holly Hunt',
title: 'Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['hh_webold_best5.jpg', 'hh_webold_best2.jpg', 'hh_webold_best4.jpg'],
widths: [435, 435, 435],
heights: [252, 252, 252],
desc: 'Inspiration trumped information within Holly\'s first web presence. Visitors would create their own interfaces by making decisions and choices in transparent layers. Every impression was unique. Beauty was everywhere.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/DB/OR</span>'
}
    
items[85] = {
id: 174,
flag: 'print',
favorite: 'no',
client: 'Jessica Lagrange Interiors',
title: 'Valentine',
newish: 0,
onscreen: 0,
rpos: '',
img: ['jli_valentine.jpg'],
widths: [1018],
heights: [1032],
desc: 'This announcement of the namechange of Jessica Lagrange\'s company really shows the love. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[86] = {
id: 44,
flag: 'print',
favorite: 'no',
client: 'Lagrange Mann',
title: 'Peace',
newish: 0,
onscreen: 0,
rpos: '',
img: ['peacex.jpg', 'peace.jpg'],
widths: [526, 553],
heights: [340, 200],
desc: 'Fall is the perfect season on the prairie when colors come to life. One day I asked a young Dakota Brown to collect autumn debris and photograph it in the form of letters. Twiggie was born and found a perfect application for LaGrange and Mann\'s holiday greeting. Download <a href=\"http://3st.com/downloads/twiggies.sit\">for mac</a> | <a href=\"http://3st.com/downloads/twiggies.zip\">for windows</a>  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'GV\');">GV</a>/DB</span>'
}
    
items[87] = {
id: 45,
flag: 'print',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: '50th Anniversary Keepsake Book',
newish: 0,
onscreen: 0,
rpos: '',
img: ['gala1.jpg', 'gala2.jpg'],
widths: [314, 629],
heights: [400, 400],
desc: 'How\'s that for an opportunity &mdash; a chance to design the keepsake for the Lyric Opera of Chicago\'s 50th Anniversary Gala. Pressure? Naahhhhh... *wipes brow*  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[88] = {
id: 46,
flag: 'print',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: '50th Anniversary Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lyric_gala_poster.jpg'],
widths: [300],
heights: [450],
desc: 'Printed four-color on silver mylar, the Lyric\'s fire curtain mural glistens in celebration of 50 years. Hours upon hours of digital retouching and compositional adjustments were offset by a couple of minutes of typesetting.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[89] = {
id: 146,
flag: 'print',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: 'Der Rosenkavalier Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lyrrp1.png'],
widths: [800],
heights: [1200],
desc: 'A white rose printed on pearlized silver paper brings the iconic centerpiece of this Viennese opera to life. The 21st century single stroke contour line calligraphy seemed delicate without the cliché. Simple and Sexy. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[90] = {
id: 47,
flag: 'print',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: 'Faust Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lyric_faust.jpg'],
widths: [300],
heights: [450],
desc: 'While this is one of my most favorite Thirst designs ever, I personally see it\'s form unintentionally residing somewhere between a Bavarian Beer Poster and a 20th century American textbook. This is not pastiche, but the result of a collaboration with the Lyric\'s esteemed costume designer Bob Perdziola who resides in NY during the 21st century.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a>/BP</span>'
}
    
items[91] = {
id: 14,
flag: 'identity',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lyric_logo.jpg', 'lyric_signage_2.jpg', 'lyric_signage_1.jpg', 'lyric_durotrans.jpg', 'lyric_50.jpg'],
widths: [400, 450, 439, 305, 327],
heights: [300, 450, 443, 650, 450],
desc: 'In 1989, Ms. Ardis Kranik invited Chicago\'s Art Paul (Playboy), John Massey Container Corporation of America), and a very young Rick Valicenti to submit Lyric Opera identity designs to her. My anthropomorphic singing version based on Herman Zaph\'s Michaelangelo earned \"Bravo\" from Ardis.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C</span>'
}
    
items[92] = {
id: 16,
flag: 'identity',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: 'Production Identities',
newish: 0,
onscreen: 0,
rpos: '',
img: ['operalogos.jpg', 'operalogos2.jpg'],
widths: [669, 669],
heights: [166, 166],
desc: 'In Los Angeles, Hollywood products lust for a designer\'s touch. In Chicago, the Lyric Opera sings best when Thirst zings the type.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C/<a href="#" onclick="showcredit(\'RI\');">RI</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[93] = {
id: 144,
flag: 'print',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: 'Season Ticket Brochure',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lyr_SB_0.jpg', 'lyr_SB_1.gif', 'lyr_SB_2.jpg', 'lyr_SB_4.jpg'],
widths: [612, 1795, 630, 630],
heights: [783, 773, 837, 837],
desc: 'Direct mail delux: The Lyric bases a large portion of its revenue on the success of this brochure. We respond by making it oh-so-engaging on the cover (img 1) and oh-so-simple on the forms (img 2). The outer envelopes (imgs 3-5) package the same message with increasing urgency. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[94] = {
id: 136,
flag: 'print',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: 'Signage 2005-2006',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lyrsign051.jpg', 'lyrsign052.jpg', 'lyrsign053.jpg'],
widths: [1600, 262, 515],
heights: [4338, 390, 337],
desc: 'Expressive typography creates a dynamic look for Lyric\'s 51st season. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[95] = {
id: 49,
flag: 'print',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: 'Tannhauser Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lyric_tannhauser.jpg'],
widths: [300],
heights: [450],
desc: 'This is the first poster Thirst created for the Lyric Opera in 1989. Together with Michael Giammanco and in collaboration with director (a young) Peter Sellars the lead tenor shed a tear onto a psalm of David as he repented his infidelities. Jimmy Swagart\'s public confessional still served as obvious inspiration.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[96] = {
id: 48,
flag: 'print',
favorite: 'no',
client: 'Lyric Opera of Chicago',
title: 'View from the Bridge Poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lyric_view.jpg'],
widths: [300],
heights: [450],
desc: 'Water prints in blood under the green sky of an Italian flag. My brother and I photographed lead Kim Josephsen in costume from Arthur Miller\'s play set on NY\'s waterfront. Kim as Eddie Carbone contemplates the final curtain while adrift in the confrontation between love and traditional values. Directed by Steppenwolf\'s Frank Gallati. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/WMV</span>'
}
    
items[97] = {
id: 51,
flag: 'print',
favorite: 'no',
client: 'Motorola',
title: 'Annual Report 2003',
newish: 0,
onscreen: 0,
rpos: '',
img: ['motoar_1.jpg', 'motoar_2.jpg', 'motoar_3.jpg', 'motoar_4.jpg', 'motoar_6.jpg'],
widths: [670, 670, 670, 670, 670],
heights: [450, 450, 450, 450, 450],
desc: 'Teaching a Fortune 500 company to speak differently. Motorola desired to communicate more directly and with a more \'now\' dialect. The Moto culture was programmed to speak with a mouthful of justified jargonized paragraphs. 56 pages were reduced to 12. Paragraphs shrunk to sound bytes.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[98] = {
id: 116,
flag: 'print',
favorite: 'no',
client: 'MTV',
title: 'Pig Roast',
newish: 0,
onscreen: 0,
rpos: '',
img: ['pigroast.jpg'],
widths: [344],
heights: [450],
desc: 'Commissioned to express sexual harassment for the MTV Music Awards, I conceived Fred Flintstone on the morning after. Hubba Hubba.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/MG</span>'
}
    
items[99] = {
id: 17,
flag: 'identity',
favorite: 'no',
client: 'One+One',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['opo_logo.jpg', 'opo_logo2.jpg'],
widths: [250, 380],
heights: [250, 380],
desc: 'Evan Harter and his (former) partner Elizabeth Harrington created a company selling smart, modern, affordable furniture designed in the US and made in China. Named \"One+One\" the math is rendered in both English ( | ) and Chinese ( &ndash; ). As an emotional irony both E\'s were connected.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[100] = {
id: 18,
flag: 'identity',
favorite: 'no',
client: 'OYSY',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['oysy_2.jpg', 'oysy_render.jpg', 'oysy_pattern.jpg', 'oysy_chops.jpg', 'oysy_building.jpg'],
widths: [281, 464, 350, 252, 600],
heights: [440, 270, 450, 471, 450],
desc: 'Doug Garofalo designed a very sleek Sushi Restaurant on Michigan Avenue in Chicago. OYSY (oh-ee-she) &mdash; stacking the syllables made the word easier to pronounce.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[101] = {
id: 167,
flag: 'print',
favorite: 'no',
client: 'Real Eyes FX',
title: 'Alphabet Book',
newish: 0,
onscreen: 0,
rpos: '',
img: ['re1.jpg', 're2.jpg', 're3.jpg', 're4.jpg', 're5.jpg', 'rex.jpg'],
widths: [950, 1875, 1875, 1875, 1875, 1188],
heights: [1200, 1200, 1200, 1200, 1200, 756],
desc: 'Expert retouchers, amazing 3D modelers, and a well connected sales force needed a \'leave behind\'. The rattle inside Rick\'s head seemed like good subject matter and Rick let the alphabet provide a context. Get a behind the scenes at <a href=\"http://www.realeyesfx.com\" target=\"_new\">realeyesfx.com</a>. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/RE</span>'
}
    
items[102] = {
id: 163,
flag: 'play',
favorite: 'no',
client: 'Real Eyes FX',
title: 'Kiss Me',
newish: 0,
onscreen: 0,
rpos: '',
img: ['kissme.jpg'],
widths: [913],
heights: [1200],
desc: 'Have you ever gone into the hair salon and wondered which style would suit you best? If graphic design shapes perception and first impressions, does hair make a man\'s identity come to life? Blow me a kiss at <a href=\"mailto:rick@3st.com\">rick@3st.com</a> and let me know which of me you prefer. See also the context for my kisser at <a href=\"http://www.realeyesfx.com/\" target=\"_new\">www.realeyesfx.com</a>. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/RE</span>'
}
    
items[103] = {
id: 162,
flag: 'play',
favorite: 'no',
client: 'Real Eyes FX',
title: 'V is for Victory',
newish: 0,
onscreen: 0,
rpos: '',
img: ['v.jpg'],
widths: [943],
heights: [1200],
desc: 'Crusade for Democracy is Rick Valicenti\'s unsolicited submission for the yet to be announced Iraqi War Memorial. The peace sign is relaxed and held as if it was made by Jesus. The grid speaks of military intelligence. The black patina reflects a somber presence. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/RE</span>'
}
    
items[104] = {
id: 161,
flag: 'interactive',
favorite: 'no',
client: 'Real Eyes FX',
title: 'Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['realweb1.jpg', 'realweb2.jpg', 'realweb3.jpg'],
widths: [1024, 1024, 1024],
heights: [673, 673, 673],
desc: 'Process is sometimes more interesting than final product. To emphasize the process on the RealEyes Book, this website was designed to give the viewer an insight into the \'making of\'. <a href=\"http://www.realeyesfx.com/\" target=\"_new\">www.realeyesfx.com</a> &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'GV\');">GV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a>/<a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[105] = {
id: 73,
flag: 'interactive',
favorite: 'no',
client: 'Rob Weaver Finishes',
title: 'Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['rw1.jpg', 'rw2.jpg', 'rw5.jpg', 'rw3.jpg', 'rw4.jpg'],
widths: [515, 515, 515, 515, 515],
heights: [364, 364, 364, 364, 364],
desc: '\"Rick The website is so beautiful! - as I told Gina, it\'s more than I ever imagined. Thank you so much for doing this for me, I just can\'t tell you how much it means to me. You\'re so great. Thanks Rick - Rob\"  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'GV\');">GV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[106] = {
id: 56,
flag: 'print',
favorite: 'no',
client: 'Skidmore Owings and Merrill',
title: 'Brochure',
newish: 0,
onscreen: 0,
rpos: '',
img: ['som_1.jpg', 'som_2.jpg', 'som_3.jpg', 'som_4.jpg', 'som_5.jpg'],
widths: [271, 311, 485, 481, 480],
heights: [350, 350, 350, 350, 350],
desc: 'The Chicago partner of SOM\'s interior group needed easy-to-get, leave behind materials for his new business development efforts. The resulting brochure spoke directly to opportunities his group could delight.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[107] = {
id: 19,
flag: 'identity',
favorite: 'no',
client: 'Smithfield',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['sf_logo.jpg', 'sf_card.jpg', 'sf_lhead.jpg'],
widths: [310, 438, 502],
heights: [200, 250, 650],
desc: 'Bill Smith is a unique character on Chicago\'s designscape. He is bipolar. The \"enlightened Bill\" gets the best design. The \"dark Bill\" appears when designers\' counsel sucks &mdash; yes he pushes. This identity is about Bill\'s two-sidedness and purposely isolates the \"e\": ego or efficiency or both.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[108] = {
id: 125,
flag: 'interactive',
favorite: 'no',
client: 'Smithfield',
title: 'Loft-Right Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['lr1.jpg', 'lr2.jpg', 'lr3.jpg', 'lr4.jpg'],
widths: [515, 515, 515, 515],
heights: [350, 350, 350, 350],
desc: 'Student living on DePaul\'s campus shifts with the design of this oh-it-is-so-not-a-dorm. The site concentrates on the family of fabrics found within the building, as well as the pop-guerilla spirit found throughout the identity. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[109] = {
id: 139,
flag: 'identity',
favorite: 'no',
client: 'Smithfield',
title: 'MoMo Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['momo1.png'],
widths: [251],
heights: [251],
desc: 'Modern. Momentum. More. When Chicago developer Bill Smith described his new building as all of these themes, a common thread was discovered. Just name it \"MoMo.\" Clean lines emphasize the modern message. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[110] = {
id: 140,
flag: 'print',
favorite: 'no',
client: 'Smithfield',
title: 'MoMo Sales Center',
newish: 0,
onscreen: 0,
rpos: '',
img: ['momosc2.jpg', 'momosc3.jpg', 'momosc4.jpg', 'momosc5.jpg'],
widths: [515, 483, 485, 515],
heights: [486, 370, 355, 393],
desc: 'The clean interior (conceived by RV) inspired the graphics and stepped up the experience of purchasing your new home through a mo\' sophisticated attitude. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
    
items[111] = {
id: 127,
flag: 'interactive',
favorite: 'no',
client: 'Smithfield',
title: 'MoMo Website',
newish: 0,
onscreen: 0,
rpos: '',
img: ['momoweb1.jpg', 'momoweb2.jpg', 'momoweb3.jpg'],
widths: [515, 515, 515],
heights: [357, 357, 357],
desc: 'More Modern Momentum through living on Chicago\'s prestigious State Street. The site allows you to discover your new home through choices you select. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a></span>'
}
    
items[112] = {
id: 53,
flag: 'print',
favorite: 'no',
client: 'Smithfield Properties',
title: '30 West Oak brochure',
newish: 0,
onscreen: 0,
rpos: '',
img: ['30woakscale.jpg'],
widths: [355],
heights: [500],
desc: 'This brochure for Bill Smith\'s most recent development emphasized the two main aspects of the building: style&hellip; and <b>size</b>.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[113] = {
id: 54,
flag: 'print',
favorite: 'no',
client: 'Smithfield Properties',
title: '30 West Oak Sales Centre',
newish: 0,
onscreen: 0,
rpos: '',
img: ['30sales_1.jpg', '30sales_2.jpg', '30sales_3.jpg'],
widths: [440, 653, 656],
heights: [500, 500, 500],
desc: 'This sales center was designed to be as clean and stylish as the building it was showcasing. In collaboration with Gary Lee and Partners; photography &copy 2004 Wayne Cable.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a>/OR</span>'
}
    
items[114] = {
id: 55,
flag: 'print',
favorite: 'no',
client: 'Smithfield Properties',
title: 'Brochure',
newish: 0,
onscreen: 0,
rpos: '',
img: ['sf_brochure_1.jpg', 'sf_brochure_3.jpg', 'sf_brochure_4.jpg', 'smithfield_fucking.jpg', 'sf_brochure_5.jpg'],
widths: [301, 600, 601, 600, 601],
heights: [450, 450, 450, 450, 450],
desc: 'Modern.<br>Bold.<br>The successful real estate development team lead by Bill Smith is personified in this keepsake-quality capabilities brochure.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'GV\');">GV</a></span>'
}
    
items[115] = {
id: 57,
flag: 'print',
favorite: 'no',
client: 'Tank20',
title: 'BlueCompany poster',
newish: 0,
onscreen: 0,
rpos: '',
img: ['bluecompany_1.jpg', 'bluecompany_2.jpg'],
widths: [365, 367],
heights: [550, 550],
desc: 'If one could have an on-line movie experience everyday for a month, what might the poster look like? This Thirst production was the first subscription episodic serial. Rob Wittig/Tank 20 considered the <a href=\"http://www.robwit.net/bluecompany2002/\" target=\"_new\">entire event</a> a success when one of his subscribers actually shed a tear when it ended.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/RT</span>'
}
    
items[116] = {
id: 58,
flag: 'print',
favorite: 'no',
client: 'University of Texas',
title: 'Letterforms',
newish: 0,
onscreen: 0,
rpos: '',
img: ['utexas_1.jpg', 'utexas_2.jpg', 'utexas_3.jpg'],
widths: [432, 432, 432],
heights: [415, 415, 415],
desc: 'A little bit of tooled leather, peppered with traditional illuminated letter ornamentation, and a splash of quasi-clip art and Texas bling is born. In these parts we call it \"line dancing typography\".  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'RI\');">RI</a>/CJ</span>'
}
    
items[117] = {
id: 21,
flag: 'identity',
favorite: 'no',
client: 'US Robotics',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['usr_logo.jpg', 'usr.jpg', 'usr_infinity.jpg', 'usr_product.jpg'],
widths: [395, 350, 600, 541],
heights: [300, 513, 361, 350],
desc: 'Once the world\'s top brand of modems, US Robotics was becoming obsolete while 3com was planning to jettison it from it\'s orbit. Design can only do so much, but in this case, we were amazed by how great our smiling logo tested. Entire story: <a href=\"http:/www.emotionaspromotion.com/\">Emotion As Promotion</a> &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/C</span>'
}
    
items[118] = {
id: 7,
flag: 'identity',
favorite: 'no',
client: 'Various',
title: 'Face It',
newish: 0,
onscreen: 0,
rpos: '',
img: ['faces4.jpg', 'faces1.jpg', 'faces2.jpg', 'faces3.jpg'],
widths: [500, 434, 541, 398],
heights: [274, 434, 388, 731],
desc: 'Anthropomorphozized!<br>Super-sized!<br>Made ya look&hellip;face it. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[119] = {
id: 123,
flag: 'identity',
favorite: 'no',
client: 'Wild LuV',
title: 'Identity',
newish: 0,
onscreen: 0,
rpos: '',
img: ['wildluv.jpg'],
widths: [445],
heights: [576],
desc: 'At the intersection of Lorraine Wild, Lu Sandhaus, and Rick Valicenti exists Wild LuV, a collaborative energy that should serve the three of us in ways we have yet to fully recognize. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a></span>'
}
    
items[120] = {
id: 59,
flag: 'print',
favorite: 'no',
client: 'Wired',
title: 'Sex in the Future',
newish: 0,
onscreen: 0,
rpos: '',
img: ['wired_sex.jpg'],
widths: [747],
heights: [450],
desc: 'Commissioned to provide a glimpse of sex in the year 2025 for the Millennium issue of Wired magazine, Patric King and I provided the safe-sensual forms of the future. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/PK</span>'
}
    
items[121] = {
id: 60,
flag: 'print',
favorite: 'no',
client: 'Wired',
title: 'The New Economy',
newish: 0,
onscreen: 0,
rpos: '',
img: ['wired_engine.gif'],
widths: [743],
heights: [450],
desc: 'Fast forward to the twenty-first century and Wired\'s \"Index\" issue commission. In the tradition of \"iconic\" graphic communication, we held high the formula Less Is More. However, in these times, More seems to work More. Reluctantly we have accepted a new mantra: More Is Less.  &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/PK</span>'
}
    
items[122] = {
id: 133,
flag: 'print',
favorite: 'no',
client: 'Zimmerman Weintraub Associates',
title: 'Look',
newish: 0,
onscreen: 0,
rpos: '',
img: ['zwa_look1.jpg', 'zwa_look3.jpg', 'zwa_look5.jpg', 'zwa_look6.jpg', 'zwa_look1_2.png'],
widths: [275, 550, 550, 550, 550],
heights: [425, 425, 425, 425, 425],
desc: 'A capabilities brochure for an architectural planning firm where the identity itself is the star. Each illustration showcases a different element of this extremely diverse organization. <a href=\"http://zwa.3st.com\" target=\"_blank\">View</a> the illustrations online to see them in motion. &nbsp;<span class="credit"><a href="#" onclick="showcredit(\'RV\');">RV</a>/<a href="#" onclick="showcredit(\'JP\');">JP</a></span>'
}
var cidall = new Array(37,38,53,56,68,74,91,92,99,100,107,109,117,118,119);
var cprall = new Array(9,13,39,40,41,42,43,44,46,47,49,50,51,52,54,57,58,59,61,62,63,64,65,66,69,70,71,72,73,77,78,79,80,81,82,83,85,86,87,88,89,90,93,94,95,96,97,98,101,106,110,112,113,114,115,116,120,121,122);
var cwball = new Array(45,48,55,60,67,75,76,84,104,105,108,111);
var cplall = new Array(0,1,2,3,4,5,6,7,8,10,11,12,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35,36,102,103);

var randall = new Array(29,117,6,7,26,60,62,76,46,38,65,14,41,110,20,69,3,107,45,70,55,57,88,36,87,111,77,50,2,68,43,104,39,0,64,30,58,95,49,8,106,32,42,72,83,47,71,22,89,21,94,109,97,102,11,115,34,112,100,44,114,73,99,90,113,96,103,78,92,53,15,122,84,108,61,4,86,13,79,16,81,35,9,23,18,105,101,75,56,25,27,93,98,120,12,119,5,52,1,63,51,74,59,19,54,67,91,82,80,85,10,121,24,37,48,40,17,118,66,31,33,116,28);